It was later remade in Hindi with actor Kishore Kumar and Shashi Kapoor by himself. Sridhar's Kaadhalikka Neramillai was one of the greatest blockbusters of Tamil film history. Even the actresses Jayalalitha and Nirmala used to be referred to as Venniraadai Jayalalitha and Venniraadai Nirmala
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Murthy, Nirmala, now a TV and movie comedian, is still referred to as " Venniradai Moorthy", " Venniradai Nirmala" after the fame he received from his performance in the movie. Thangavelu, and Nagesh, and helped introduce Murthy, Nirmala to a wider audience in Vennira Adai. The latter was remade in Hindi with Rajendra Kumar and Meena Kumari as Dil Ek Mandir which earn him two nomination at Filmfare Awards, Best Director and Best Story categories. Sridhar was known as Nava-rasa-director, as he made films in a variety of styles, from the comedy Kaadhalikka Neramillai to the serious Kalai-kovil and Nenjil Or Aalayam.
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He made a series of commercially successful films like Nenjil Or Aalayam, Kaadhalikka Neramillai, Vennira Adai and many more.
The latter which had Gemini Ganesan and Vyjayanthimala in the lead was the first Tamil film to be shot in Jammu and Kashmir. He started his own production company Chithralaya (the emblem was designed by Art director Ganga) in 1961 with his friends Gopu, Vincent, Sundaram and Tiruchi Arunachalam made Then Nilavu. After this, he had a huge fan following and his name was talked about among the middle class movie going audience. This movie ran for more than 25 weeks, and is revered to this day as a milestone in the history of Tamil cinema. He made his debut as a director with Kalyana Parisu. Both films had Sivaji Ganesan and Padmini as the main roles. In 1956, Sridhar turned producer along with associates Krishnamoorthi, Govindarajan and Sundararajan in Venus Pictures where he scripted Amara Deepam and followed by Uthama Puthiran. Sridhar had a very high esteem on the legendary director V. Sundaram had a huge library of international books about great films and directors, about film production, critical and technical essays. While working in Modern Theatres as writer for the film Maheswari, Sridhar had an opportunity to improve his knowledge and skills about film production.
Sridhar continued on writing for films like Maaman Magal, Maheswari, Amara Deepam, Maadharkula Manikkam, Engal Veetu Mahalakshmi, Yaar Paiyan, Manjal Mahimai, Uthama Puthiran and Punar Jenmam. Sridhar wrote the dialogues in Tamil for the Telugu movie Parivartana and the movie was dubbed in 1955 as Latchadhipathi. Sridhar wrote story and dialogues for Edhir Paradhathu. The film Bhai Bhai gave a big commercial break for the music director Madan Mohan Later AVM Productions produced it in Hindi as Bhaai Bhaai in 1956 starring Ashok Kumar and Kishore Kumar but direction was by R. Sridhar made his entry into films as a screenwriter in Ratha Paasam. Shanmugam who was staunch that Sridhar should write the screenplay and dialogues. It was later produced jointly by TKS and Jupiter pictures under Jupiter – Avvai Productions where Jupiter pictures recommended some other writer to write the dialogues for the film. Sridhar was proudly taken to the stage and introduced to the audience as the writer. It was staged as Raththa Paasam and was one of the most successful dramas staged by TKS brothers. Shanmugam was very much impressed by the story and Sridhar wrote the screenplay and dialogues for the drama. In 1951, 18-year-old Sridhar went to AVM Productions with his story Latchiyavathi but P. Joseph's Higher Secondary School from Chengalpattu where he began writing and staging plays while he was in the Seventh Standard. Sridhar hailed from Chitthamur, a village near Maduranthakam, Tamil Nadu.